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The more I understood us, the better my work became.
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I mean, I'm talking like hockey stick difference. Like it
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went from like I'm kind of good to like really
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really good and like wow. And it's only because of
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my proximity to humanity, to people. And what I realized
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social being people is that we are social animals by nature.
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Everything we do is given to be connected, to be together.
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We crash into each other, right and our ability to
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evolve as a species is because of our ability to
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socialize and collaborate. And I just realized that this is
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the most important aspect of everything that I do.
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Marcus Collins, welcome to quick before you forget.
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Thanks for having me. How fun is this?
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It's so fun. I'm so excited and I'm so grateful
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you're here. So friends, you are in for a fun
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ride with Marcus. He is a cultural strategist, best selling author,
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and professor at the University of Michigan Ross School of Business,
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whose work explores how culture shapes human behavior. Earlier in
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his career, he worked in the music and technology industries,
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writing and producing music, leading digital strategy for Beyonce, and
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helping drive partnership marketing at Apple's iTunes. These experiences gave
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him a front row seat to the way that stories, identity,
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and community move people, a theme he explores in his
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award winning book Book for the Culture Today. We're here
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to learn from his story, Marcus, what that looks like
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is walking a bit through your past, present, and future together.
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Are you ready for that?
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I think, so, let's give it a shot. Let's go.
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So, Marcus, A lot of your work focuses around culture
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and belonging, and I'm curious, when you look back on
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your life, what were the early moments where communities and
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people shaped your understanding and development of how you feel
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about culture and belonging.
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My existence had always been very communal. When I think
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about the biggest parts of my life, it wasn't the
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act of what I was doing as much as it
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was a people with whom I was doing it. I
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think about being a Collins. You know, I'm Marcus Collins.
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But my father and his twin brother, WELC. Hurley, married
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my mother and her sister, and we grew up next
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door to each other. So I always felt like I
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was a part of a tribe, you know, in sort
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of the anthropological framing of tribes and these collections of
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people that there were expectations of people like us as
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Collins is, and so I just kind of started there,
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like this primary identity as a Collins was not like
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you know, us want house. It was like houses, you know.
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And I was very active in my church still to
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this day, but that was very much a part of
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who we are. You know. My father, Mancol Hurley, my
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father's brother, Malcol Hurley, was our pastor. My father was
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a deacon in the church. My mother was a choir director.
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Like it was like it was a thing. It's just
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what we did, you know. My grandfather was a bish
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for the church. So like we went to church, but
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it wasn't just go to church. It was the community
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of our church. That's very much a part of who
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I am. I swam on a swim team from six
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years old through through high school, and the majority of
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that time was on the same swim team, and those
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were my people, you know. So it's like these experiences
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like you know, playing in band at school. You know,
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these were my friends, but they were also my bandmates.
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They were my people. And I think that my entire
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existence have been framed through a communal lens. So I've
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always thought about community, even though I had the Lan
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language to call it community. I just always thought about
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my people and what were the expectations of people like me.
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And these were the groups by which I self identified.
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Swim team is speaks to my soul.
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What was your stroke?
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I was a backstroker, that was my go to, but
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I swim back that was my like my bread and butter.
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But I swim that I am as well. I begrudgingly
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swam the hundred fly, and begrudgingly then I swam in
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the freestyle relay, fifty freestyle relay, and the individual the
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medley relay as well.
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I was a flyer and I was voluntold that I
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was going to do the two hundred fly and that
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was rough.
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Man.
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I'll tell you that one hundred fly was. I liked
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that one, but the two hundred was.
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Was no fun.
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And I need to know what your instrument was and banned.
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So I started playing clarinet, okay, and I thought, you know,
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I was like this is it didn't feel masculine enough
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for me. Like I was like, I know, clarinet for me,
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Like I was the only guy in the clarinet section
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full of girls. And I was like, I think I'm
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in the wrong place. And I remember my mother loving
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the saxophone. She really liked saxophones. I was like, all
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I saw, I played xaxophone, but I feel like it
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was too many fingers, too many fingerings, like a lot
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so much. And my cousin Terrence took me to go
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see No Better Blues at an age I was much
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too young to go see it, but we're gonna see
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my bet a Blue. And I saw Blake Gilliam, who
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was Denzel Washington's character, play the trumpet. I was like that,
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that is what I must play. So I played the trumpet,
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and I wanted to be bleek Gilliam badly.
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I love that.
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My older son is twelve and he played the trumpet
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and it plays the trumpet. He just played in the
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solo ensemble and got a superior rating.
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Oh fairly cool.
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I'm such a proud mama. And you know, it doesn't
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even sound as bad anymore as you used to.
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My eldest who's eleven, she's starting to play the trumpet.
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And when she first started, oh wolf, it was tough.
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But you know, I hear her playing now. I always
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tell her that, like your tone is so much warmer
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and like that's what you want, Like you can learn
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the fingering, you know, you can learn breath control like
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tone to have a really nice tone like that is
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to me, I think the early footings of playing an
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instrument like piano, it is what it is, like, you know,
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it's just what it is. But playing like a woodwind,
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a brad even voice, where you are responsible for the
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production of sound, not just the kinetic but the actual
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breath that goes into making the sound, just getting a
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nice tone as the start.
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Well, and music is such a powerful connector as somebody
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that's studied music as well as culture and belonging. What
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what do you think music does for somebody's sense of
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community or sense of belonging.
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Well, music is a cultural product, So it's an expression
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of people like us. So we hear certain aesthetics in
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the music. It signals for whom it's for. You know
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that there's a there's a certain beat progression or rhythmatic
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sequence in like hip hop. Do you go like, all right,
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I know what the groove is going to be. I
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mean even in gospel music. So I played piano in church,
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there's a certain turnaround where you know it is about
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to happen, like you just know it right. And I
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think those kind of signalings make you feel at home.
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And just like any other cultural production, music has this
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ability to make you feel at home even when you're
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hearing music produced by a different culture that's similar to
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your own. Did you ever watch did you watch the
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movie Centers? By chance? No?
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But tell me more.
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There is a scene in Centers that is like thus
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scene that everyone refers to as and without giving away
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too much of the movie there it's this musical number.
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The number is musical sequence where they show the progression
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of like blues music and how it connects to hip
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hop and how it connects to gospel and all these
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other things that you find that these rhythms are so
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interlaced even though they come from different cultural producers, and
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music as the universal language, just has a way to
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do this in ways that other universal languages don't. They
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talking about math as a means of universal language. It is,
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but it don't feel evocative, like you know, you don't
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solve an equation to go, oh that really touched my soul? No, no, no,
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like it's to hear a vocalist we listen to opera
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and if you don't speak the language, you don't know Italian,
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it still moves you. I think this is how this
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is how culture ripples through our social connections, that they
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make us feel things first, and as we feel things,
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we think things. And who we say that feeling is thinking.
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Their cognition, ethics all existed in the brain. But as
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we start to feel things, we associate evaluations to them
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and then we decide it fits for people like us,
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and that process of matchmaking it is critical to how
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we think about who we are in this world and
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ultimately how we navigate through it.
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Amen, I need to know do you have music like
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that that comes to mind for you that really makes
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you feel grounded? Like do you have a song that
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you turn to in a moment like I call it
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like a song of survival, where you turn to it
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and it kind of brings you back to home, brought
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back to center.
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I don't know if there's a song that does that
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in particular, but there is a song, you know they
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talk about the if you're standing on an island, what
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song would it be? There is a song it's called
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Getaway Jordan by Take six. I think the recording came
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out in nineteen eighty eight. I have listened to this
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song at least a million times, and that am I
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sing hyperbolic, But I'm not even kidding. It's on it's
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every year, It's on my Spotify rap like it. It
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is the thing, and what I love about it is
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it's the intersection of all the many things that I
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like and have found myself connected to. Like though I
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grew up on hip hop, like I'm a I'm a
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hip hop fan, like I'm an R and B guy
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at heart, Like I'm an R and B guy at heart.
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So here's this gospel record, Uh Getaway Jordan that has
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been arranged with a do wop uh jazz sensibilities with
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an R and B texture on on on top of it,
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which really is kind of like I'm a I'm a
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church kid, you know, I'm a choir boy quite literally.
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But also I love R and B and I grew
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up playing jazz as a trumpet player. Like this is
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like the convergence of the world. And these guys just
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happen to be the epitome of vocal music, like they
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are the absolute best. They're your favorite singer's favorite singer
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take six. They're the best, but this it the song.
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It's grounding in a sense that it reminds me of
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when I first discovered them, as you know, as one
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of I was eleven years old, ten years old at
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the time I discovered them, and I remember like the curiosity,
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just being like, oh my gosh, I have never heard
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anything like this before in my life, and I just
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listen to it over and over and over and over
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and over again. Now you fast forward thirty some odd
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years later, I still listen to it like that and
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hear new things like that. That's that kind of thing
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reminds me of who I was, but also signals who
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I could be. The more I lean into too things
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and find what to find. The novel in the Familiar, I.
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Love that so much and it reminds me a little bit.
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I hear the passion in your voice talking about music,
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and it takes me to you know, your your LinkedIn
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profile has a lot of really cool things that could
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distract people from this one thing at that kind of
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like the bottom. It's a little buried, but it talks
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about your love of music, and I want to know
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how you went from you know, the choir boy and
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the trumpet player to working with Beyonce and what that.
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You know what that whole experience taught you? And take
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your time with the story, but you know what, what
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did that experience teach you about community and music that
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you that you haven't already said.
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That's a really good framing. I so if you asked
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me when I was a kid what I wanted to be,
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I wanted to be Michael Jackson. Like that, that's what
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I wanted to be. I want to be Michael. You know,
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I practiced in the mirror.
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The whole nine practiced in the mirror.
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Oh yeah, oh yeah, I practiced. I'd practiced my my
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shuffle proper.
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You practiced like what what?
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What?
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Like what songs were?
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It was really the video Don't Stop Till You Get Enough.
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It's like I was just trying to get that, like